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ML Snowden Bio

 

Gracing the halls of Buckingham Palace is not an honor which many contemporary artists can claim on their CV. M.L. Snowden’s prolific artwork, her inspiration and her legacy have been explored in many published works by insightful authors such as Dr. Remo Nevi, the Metropolitan Museum of Art sculpture scholar, Dr. Marie Busco and James Edwards. The purity and intensity of her bronze metal mastery inspires a vast audience of devotees, equally inspiring engineers and art patrons alike. With faultless artistry, M.L. Snowden captures the essence of spirituality in her sculptures yet manages to achieve groundbreaking metallurgical and engineering advancements that test the scientific borders of her materials.

 

Her willingness to experiment with new methods and face potential failure reveals a strength of vision seldom present in potentially fragile artists; her fearless quest to stretch the medium of bronze casting has resulted in breathtaking sculpture, but achieved at great risk. She takes an “all or nothing at all” approach. The “lost wax casting” method bears with it the danger that if the casting process fails, the artwork is lost. On this foundation, Snowden has not clung to the safe route on a diminutive scale, but instead has chosen to unleash the skills with which God has blessed her; apply the legacy of knowledge passed on to her through her father and her mentors; wield the sculpting tools and techniques inherited from the studios of Auguste Rodin; and engage in a lifelong quest to capture the beauty of divinity on a staggering scale.

 

Not simply a glimpse of the ephemeral, Snowden’s work at heart offers us the opportunity to gaze with awe on the dynamic spirit of God. Her rare devotion to revealing profound messages transcends physical and intellectual limitations. Whether her subject reveals mankind’s struggles on a herculean plane or the infinite attention to the detail of Hebrew’s smallest letter, Snowden’s adroit touch captures fluidity and grace in a permanent medium for all to enjoy and admire.

 

After completing her B.F.A. at Loyola Marymount in 1974, perhaps her post graduate studies in Europe that came about on winning the Try Foundation Prize which enabled her to study at the Louvre in France, the Vatican Collections in Rome, the Uffizi and the Academy of the Try Foundation in Italy, all substantively provided her an insider’s access to the secrets of the old world masters. Certainly such immersive experiences enlarged her craft and led to her being awarded an honorary Doctor of Arts degree. Yet undoubtedly the opportunity to apprentice with her own father for 17 years was pivotal to her development.

 

Shepherding and guiding an artistic genius is not a responsibility to be undertaken lightly. Her father, a renowned artist in his own right, instilled in his daughter artistic joy coupled with discipline; an untiring work ethic; deep respect for history; and an intimate appreciation of the responsibility to bring to life art which elevates the viewer. He provided a rich environment in which to percolate her potential and lived to see the world appreciate her gifts. No fledgling stage for Snowden, the world welcomed her with open arms as she won the First Class Medal in 1974 at the Des Beaux Arts Annual Exhibition in Paris, followed quickly by the Gold Award in 1975 for her epic sculpture from the Brindesi Institute Exposition in Verona; and a showing of her sculpture and drawings in 1976 for the Bonaparte Society in Paris.

 

Since then, her work has been collected and exhibited from San Francisco to Switzerland, from Toronto to Tokyo, from New York to Paris. Her early election to membership in the Jesuit Scholastic Honor Society perhaps foretold of her ambition to integrate her faith with her artistic and academic studies. Whether she is sculpting a bronze relief of Miriam, Sister of Moses; creating Great Golden Angels for the Main Altar in the Los Angeles Cathedral of Our Lady of the Angels; lecturing on the Fractal and Euclidian Geometries of Sculpture or being showcased in “M.L. Snowden – Glories of the Vatican”; her unflinching dedication achieves a unique blend of art, faith and science.

 

In addition to being the recipient of awards too extensive and numerous to list including being named the global winner of the International Rodin Competition of Tokyo, Japan, hosted by 32 nations, Snowden has graciously consented to interviews in cooperating with the production of books and documentaries. She has participated in exhibitions and shows and undertaken majestic commissions of significant proportion while simultaneously exploring, nurturing and reinventing her craft in her studios located in Austria, Paris and California.

 

Most recently, Snowden has collaborated with ABC for a television project showcasing her 20 foot high City of Glendale Civic Monument. Along with completing significant publications such as The M.L. Snowden Sculpture Museum, and M.L. Snowden: Bronze Masterworks of the Geological Coreium; the sculptor has recently overseen the permanent installation of major works in Brazil at the Ricardo Brennand Museum Institute, in Washington DC at the White House and at The Butler Institute of American Art.

 

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Last revised: August 28, 2024